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Filled with what she fondly refers to as “weirdos,” Tanya Aguiñiga’s Quonset Hut studio is perched on the Los Angeles River. She says this vantage point adds a certain power to the space, helping her harness feminine energy. Aguiñiga moves among three to six works at a time, working solo or alongside collaborators on massive textiles, tangles of basket-like clay sculptures, and netted fibrous forms.
“The varied approach to creating informs all projects happening at the same time in the studio…Each project is a continuation of a line of thought, but may take a different form.”
“A bunch of stuff sits around me so that I don’t forget what I had been thinking about, and can group the parts with other materials or old pieces to make new visual relationships.”
“Sometimes a piece just feels good, and adding anything else ruins its wholeness. When it feels like a full being, I know it’s done.”
This photo essay was originally published in Carla issue 34.