Generous
Structures
Catherine Wagley
Put on a Happy Face:
On Dynasty Handbag
Travis Diehl
The Limits of Animality:
Simone Forti at ISCP
(L.A. in N.Y.)
Ikechukwu Casmir Onyewuenyi
More Wound Than Ruin:
Evaluating the
"Human Condition"
Jessica Simmons
Launch Party
Exquisite L.A.
Featuring:
Brenna Youngblood
Todd Gray
Rafa Esparza
Intro by Claressinka Anderson
Portraits by Joe Pugliese
Reviews Creature by Thomas Duncan
Sam Pulitzer & Peter Wachtler by Stuart Krimko
Karl Haendel by Aaron Horst
Wolfgang Tillmans by Eli Diner
Ma by Claire de Dobay Rifelj
The Rat Bastard Protective Association by Pablo Lopez
Kenneth Tam
's Basement
Travis Diehl
The Female
Cool School
Catherine Wagley
The Rise
of the L.A.
Art Witch
Amanda Yates Garcia
Interview with
Mernet Larsen
Julie Weitz
Agnes Martin
at LACMA
Jessica Simmons
Launch Party Carla Issue 6
Exquisite L.A.
Featuring:
Analia Saban
Ry Rocklen
Sarah Cain
Intro by Claressinka Anderson
Portraits by Joe Pugliese
Reviews:
Made in L.A. 2016
Doug Aitken Electric Earth
Mertzbau

Jean-Pascal Flavian and Mika Tajima
Mark A. Rodruigez
The Weeping Line
Molly Larkey, Aaron Horst,
Keith J. Varadi, Katie Bode,
Stuart Krimko, Matt Stromberg
Non-Fiction
at The Underground Museum
Catherine Wagley
The Art of Birth Carmen Winant
Escape from Bunker Hill
John Knight
at REDCAT
Travis Diehl
Ed Boreal Speaks Benjamin Lord
Art Advice (from Men) Sarah Weber
Routine Pleasures
at the MAK Center
Jonathan Griffin
Launch Party Carla Issue 5
Exquisite L.A.
Featuring:
Fay Ray
John Baldessari
Claire Kennedy
Intro by Claressinka Anderson
Portraits by Joe Pugliese
Reviews Hana Cohn, Eli Diner,
Claire De Dobay Rifelj,
Katie Bode, Molly Larkey,
Keith J. Varadi
Moon, laub, and Love Catherine Wagley
Walk Artisanal Jonathan Griffin
Reconsidering
Marva Marrow's
Inside the L.A. Artist
Anthony Pearson
Mystery Science Thater
Diana Thater
at LACMA
Aaron Horst
Informal Feminisms Federica Bueti and Jan Verwoert
Marva Marrow Photographs
Lita Albuquerque
Launch Party Carla Issue 4
Interiors and Interiority:
Njideka Akunyili Crosby
Char Jansen
Reviews Claire de Dobay Rifelj,
Matt Stromberg, Hana Cohn,
Lindsay Preston Zappas,
Simone Krug, Keith Vaughn,
Ikechukwu Casmir Onyewuenyi
Le Louvre, Las Vegas Evan Moffitt
iPhones, Flesh,
and the Word
F.B.I.
at Arturo Bandini
Lindsay Preston Zappas
Women Talking About Barney Catherine Wagley
Lingua Ignota
Faith Wilding
at The Armory Center
for the Arts
and LOUDHAILER
Benjamin Lord
A Conversation
with Amalia Ulman
Char Jansen
How We Practice Carmen Winant
Launch Party Carla Issue 3
Share Your Piece of the Puzzle Federica Bueti
Amanda Ross-Ho Photographs
Erik Frydenborg
Reviews Eli Diner, Jonathan Griffin,
Don Edler, Aaron Horst
Hot Tears Carmen Winant
Slow View:
Molly Larkey
Anna Breininger and Kate Whitlock
Americanicity's Paintings
Orion Martin
at Favorite Goods
Tracy Jeanne Rosenthal
Layers of Leimert Park Catherine Wagley
Junkspace Junk Food
Parker Ito
at Kaldi, Smart Objects,
White Cube, and
Château Shatto
Evan Moffitt
Melrose Hustle Keith Vaughn
Reviews Benjamin Lord, Aaron Horst, Stephen Kent
Top-Down Bottom-Up Jenny Gagalka
Snap Reviews Aaron Horst, Char Jansen, Randy Rice, Lindsay Preston Zappas
Max Maslansky Photographs
Monica Majoli
at the Tom of Finland Foundation
White Lee, Black Lee
William Pope.L’s Reenactor
Travis Diehl
Dora Budor Interview Char Jensen
MEAT PHYSICS/
Metaphysical L.A.
Travis Diehl
Art for Art’s Sake:
L.A. in the 1990s
Anthony Pearson
A Dialogue in Two
Synchronous Atmospheres
Erik Morse
with Alexandra Grant
SOGTFO
at François Ghebaly
Jonathan Griffin
#studio #visit
with #devin #kenny
@barnettcohen
Mateo Tannatt
Photographs
Jibade-Khalil Huffman
VESSEL // CINS and
VESSEL // PERF
Ben Medansky
I've been a lot of places,
seen so many faces
Nora Slade
Launch Party Carla Issue 1
Slow View:
Discussion on One Work
Anna Breininger
with Julian Rogers
Reviews Tracy Jeanne Rosenthal, Catherine Wagley, Keith Vaughn, Aaron Horst, Kate Wolf, Mateo Tannatt, Evan Moffitt, Cal Siegel
We’re in This Together Lauren Cherry & Max Springer
Distribution
Downtown
ARTBOOK @ Hauser Wirth
    & Schimmel
917 E. 3rd St.
Los Angeles, CA 90013

Baert Gallery
2441 Hunter St.
Los Angeles, CA 90021

Central Park
412 W. 6th St. #615
Los Angeles, CA 90014

CES Gallery
711 Mateo St.
Los Angeles, CA 90021

Cirrus Gallery
2011 S. Santa Fe Ave.
Los Angeles, CA 90021

Château Shatto
406 W. Pico Blvd.
Los Angeles, CA 90015

Club Pro
1525 S. Main St.
Los Angeles, CA 90015

Fahrenheit
2245 E. Washington Blvd.
Los Angeles, CA 90021

Ghebaly Gallery
2245 E. Washington Blvd.
Los Angeles, CA 90021

The Geffen Contemporary
    & at MOCA
152 N. Central Ave.
Los Angeles, CA 90012

Harmony Murphy
358 E. 2nd St.
Los Angeles, CA 90012

LACA
2245 E. Washington Blvd.
Los Angeles, CA 90021

MAMA
1242 Palmetto St.
Los Angeles, CA 90013

Mistake Room
1811 E. 20th St.
Los Angeles, CA 90058

MOCA Grand Avenue
250 S. Grand Ave.
Los Angeles, CA 90012

Monte Vista Projects
1206 Maple Avenue, #523
Los Angeles, CA 90015

Night Gallery
2276 E. 16th St.
Los Angeles, CA 90021

The Box
805 Traction Ave.
Los Angeles, CA 90013

Wilding Cran Gallery
939 S. Santa Fe Ave.
Los Angeles, CA 90021
Chinatown
A.G. Geiger
502 Chung King Ct.
Los Angeles, CA 90012

Charlie James
969 Chung King Rd.
Los Angeles, CA 90012

EMBASSY
422 Ord St., Suite G
Los Angeles, CA 90012

Human Resources
410 Cottage Home St.
Los Angeles CA, 90012

Ooga Booga
943 N. Broadway
Los Angeles, CA 90012
Mid-City
1301PE
6150 Wilshire Blvd.
Los Angeles, CA 90048

Big Pictures Los Angeles
2424 W Washington Blvd.
Los Angeles, CA 90018

California African American Museum
600 State Dr.
Los Angeles, CA 90037

Chainlink Gallery
1051 S. Fairfax Ave.
Los Angeles, CA 90019

Commonwealth and Council
3006 W. 7th St. #220
Los Angeles CA 90005

David Kordansky Gallery
5130 W. Edgewood Pl.
Los Angeles, CA 90019

HILDE
4727 W. Washington
Los Angeles, CA 90016

JOAN
4300 W. Jefferson Blvd. #1
Los Angeles, CA 90016

Kayne Griffin Corcoran
1201 S. La Brea Ave.
Los Angeles, CA 90019

ltd Los Angeles
1119 S. La Brea Ave.
Los Angeles, CA 90019

Marc Foxx
6150 Wilshire Blvd. #5
Los Angeles, CA 90048

Martos Gallery
3315 W. Washington Blvd.
Los Angeles, CA 90018

Ms. Barbers
5370 W. Adams Blvd.
Los Angeles, CA 90016

Ochi Projects
3301 W. Washington Blvd.
Los Angeles, CA 90018

The Landing
5118 W. Jefferson Blvd.
Los Angeles, CA 90016

Park View
836 S. Park View St. Unit 8
Los Angeles, CA 90057

Skibum MacArthur
712 S. Grand View St., #204
Los Angeles, CA 90057

SPRÜTH MAGERS
5900 Wilshire Blvd.
Los Angeles, CA 90036

The Underground Museum
3508 W. Washington Blvd.
Los Angeles, CA 90018

VACANCY
2524 1/2 James M. Wood Blvd.
Los Angeles, CA 90006

Visitor Welcome Center
3006 W. 7th St., Suite #200A
Los Angeles, CA 90005
Culver City
Anat Ebgi
2660 S. La Cienega Blvd.
Los Angeles, CA 90034

Arcana Books
8675 W. Washington Blvd.
Culver City, CA 90232

Blum and Poe
2727 S. La Cienega
Los Angeles, CA 90034

Cherry and Martin
2712 S. La Cienega Blvd.
Los Angeles, CA 90034

Honor Fraser
2622 S. La Cienega Blvd.
Los Angeles, CA 90034

Klowden Mann
6023 Washington Blvd.
Culver City, CA 90232

Luis De Jesus
2685 S. La Cienega Blvd.
Los Angeles, CA 90034

MiM Gallery
2636 La Cienega Blvd.
Los Angeles, CA 90034

Roberts and Tilton
5801 Washington Blvd.
Culver City, CA 90232

Samuel Freeman
2639 S. La Cienega Blvd.
Los Angeles, CA 90034

Susanne Vielmetter
6006 Washington Blvd.
Culver City, CA 90232
Silverlake/ Echo Park
Smart Objects
1828 W. Sunset Blvd.
Los Angeles, CA 90026

Otherwild
1768 N. Vermont Ave.
Los Angeles, CA 90021
Hollywood
Diane Rosenstein
831 Highland Ave.
Los Angeles, CA 90038

Family Books
436 N. Fairfax Ave.
Los Angeles, CA 90036

GAVLAK
1034 N. Highland Ave.
Los Angeles, CA 90038

Hannah Hoffman
1010 Highland Ave.
Los Angeles, CA 90038

LAXART
7000 Santa Monica Blvd.
West Hollywood, CA 90038

M+B
612 N. Almont Dr.
Los Angeles, CA 90069

Mier
1107 Greenacre Ave.
Los Angeles, CA 90046

Moskowitz Bayse
743 N. La Brea Ave.
Los Angeles, CA 90038

Regen Projects
6750 Santa Monica Blvd.
LLos Angeles, CA 90038

Shulamit Nazarian
616 N. La Brea
Los Angeles, CA 90036

Various Small Fires
812 Highland Ave.
Los Angeles, CA 90038
Westside
18th Street Arts
1639 18th St.
Santa Monica, CA 90404

Ben Maltz Gallery at Otis
    College of Art and Design
9045 Lincoln Blvd.
Los Angeles, CA 90045

Christopher Grimes Gallery
916 Colorado Ave.
Santa Monica, CA 90401

DXIX Projects
519 Santa Clara Ave.
Los Angeles, CA 90291

Five Car Garage
(Emma Gray HQ)

Team (Bungalow)
306 Windward Ave.
Venice, CA 90291
Eastside
67 Steps
2163 Princeton Ave.
Los Angeles, CA 90026

ACME.
2939 Denby Ave.
Los Angeles, CA 90039

ESXLA
602 Moulton Ave.
Los Angeles, CA 90031

SADE
204 S. Avenue 19
Los Angeles, CA 90031
Boyle Heights
BBQLA
2315 Jesse St.
Los Angeles, CA 90023

Chimento Contemporary
622 S. Anderson St., #105
Los Angeles, CA 90023

Ibid.
670 S. Anderson St.
Los Angeles, CA 90023

Ooga Twooga
356 Mission Rd.
Los Angeles, CA 90033

Parrasch Heijnen Gallery
1326 S. Boyle Ave.
Los Angeles, CA 90023

Museum as Retail Space (MaRS)
649 S. Anderson St.
Los Angeles, CA 90023

Nicodim Gallery
571 S. Anderson St.
Los Angeles, CA 90033

Venus Over Los Angeles
601 S. Anderson St.
Los Angeles, CA 90023
Pasadena/ Glendale/ Valley
The Armory Center for the Arts
145 N. Raymond Ave.
Pasadena, CA 91103

Los Angeles Valley College
5800 Fulton Ave.
Valley Glen, CA 91401

Natural
15168 Raymer St.
Van Nuys, CA 91405

The Pit
918 Ruberta Ave.
Glendale, CA 91201

Americanicity’s Paintings

Orion Martin at Favorite Goods

Orion Martin, Son of a Hairdresser (2015). Photograph, etched glass, MDF, acrylic and enamel, 56 x 40 inches. Image courtesy of the artist and Favorite Goods.

Orion Martin, Son of a Hairdresser (2015). Photograph, etched glass, MDF, acrylic and enamel, 56 x 40 inches. Image courtesy of the artist and Favorite Goods.

A Google image search for “Barbara Rossi” reveals fifty years of the artist’s work alongside glamour shots of a lingerie-clad Babi Rossi, a Brazilian model (with a much longer Wikipedia page). “I feel like I’ve gone through my life on my eyeballs,” the artist Rossi recently told Leslie Buchbinder—a summary, if there ever was one, of that split-screen fatigue and image-happy psychosis brewed in the special alchemy of American culture (read: google-y eye emoji).

The wide-eyed Chicago Imagists didn’t just collage, as Google does. Those virtuosic dilettantes fused aesthetic universes with the kind of exuberance art history longs to forget. It’s no surprise that the best Imagists often rendered forms that represent labors of weaving, binding, and puncturing. Rossi’s Navigation series depicts knots in various states of complexity and constriction alongside abstracted bodily forms suspended by bits of string. She often split her canvases in two, connecting the different halves with a carefully-drawn leash, or by shooting through a plane with painted-on, pin-point perforations, as if the other image longed to break through. More literally, and perhaps more famously, Art Green would fuse representation and abstraction in his zany, chromatic paintings, joining the two elements with bits of tape, shoelaces, or chain-link fencing, rendered in paint.

Perhaps it’s no surprise that representations of tying and binding emerged in “Shorb St.,” Orion Martin’s perversely thrilling solo show at Favorite Goods, where the Imagists’ penchant for surrealism and kink is also on conspicuous display. In the contemporary climate of drab, iterative painting, Martin’s oils please by virtue of being distinct from one another; it just so happens they are equally appealing at being themselves. In Skirt (American Don) (all works 2015), the cartoon geometry of a lily is edged out of a gauzy, pastel, almost impressionist field. The lily is evenly perforated from stem to petals, and one of its leaves looks quite like a hot dog. In Strawberry, a centaur with an exceedingly hard cock is figured blowing a shofar, seemingly affixed to a strawberry—as if with strawberry’s own seeds—and the centaur, the strawberry, the whole canvas, and its frame are totalized in a Driscols™ red. Martin smears Imagist tastes and techniques into a broader vocabulary, in which wild figuration, an unruly sense of color, and forays into decorative kitsch appear so quintessentially and excessively American I feel downright patriotic to celebrate them.

Orion Martin, Career in Magic (2015). Oil on canvas, 51 x 35 inches. Image courtesy of the artist and Favorite Goods.

Orion Martin, Career in Magic (2015). Oil on canvas, 51 x 35 inches. Image courtesy of the artist and Favorite Goods.

Either football or corset laces thread together a leaf in Career in Magic, where one flower’s bud is replaced by its concrete architectural double: the fleur-de-lis. Two of the flowers are wearing collars on their necks, leashed at right angles off the frame. Traced onto a coral plane, most of the forms are rendered behind an irregular orange grid, as if we’re seeing through an engraved window–though one leaf, speckled with spherical dewdrops, breaks into the primary plane. Even the grid won’t stay itself: in the left corner, the orange gives way into the same green gradient that colors the leaves, an exquisite, hallucinogenic detail.

In other, mixed-media works, Martin makes literal the window figured in Career in Magic’s oils. Stained Glass is actually a leaded window. Set into an interior gallery wall, the light shines through the thick, raised outline of what could be Athena’s lower half: her wing attached to a muscular thigh, her foot in a ‘50s pump. In both Son of a Hairdresser and Louver, a photograph of a young woman’s face—one seemingly covered in Baby Oil, both rendered in almost cruelly high definition—is encased in glass etched like a diner booth separator. One plane is patterned like the flowers in Skirt and Career in Magic, the other with a plane of cheesy, diamond-shaped dots. The frames of these two photographs also vie for attention. Enameled, enormous, and apparently hand-carved, their bulbous forms and Easter palate add a Memphis furniture flourish to the already suffused aesthetic field.

To look at these works is to live through on your eyeballs. They reward lingers and roves. They overwhelm. Yet Martin’s ingenious use of decorative glass, playfully ‘80s colors, or fetishy florals offers an earnest optical anthropology. Ultimately, the works seem to offer us a sense of wonder at the aesthetic accomplishments of a now-aging generation, retiring modestly to Florida and taking their Vegas-informed sense of fun with them. This kind of middle class excess is an utterly American invention. Ornamented and celebratory, with a few notes of foreign–which is to say, sometimes America is the becoming-shitty of elsewhere. Then, it is the becoming-glorious of the shitiness of here. It hallucinates home at diners and fast food restaurants. It longs to vacation, if vacation means a cruise and a cruise means to navel-gaze as your stomach expands. It collects tchotchkes from all of its travels within its bubble. Its maximalism borders on hoarding (but everything was so reasonably priced!). It clips coupons. It surfs channels. It has taste. Good taste. It wants to sway in festive environs to family-friendly trends. It wants to learn how to squirt. It wants a pool on the beach. It wants little paper fans on every drink. “Here we have an advertisement,” Barthes began his classic text on Italianicity. And here, we have Americanicity’s paintings.

Orion Martin, Shorb St. was on view from March 21–May 9, 2015 at Favorite Goods.

Orion Martin, Strawberry (2015). Oil on canvas, 21 x 17 inches. Image courtesy of the artist and Favorite Goods.

Orion Martin, Strawberry (2015). Oil on canvas, 21 x 17 inches. Image courtesy of the artist and Favorite Goods.

Shorb St. (installation view)(2015). Image courtesy of Favorite Goods, Los Angeles.

Shorb St. (installation view)(2015). Image courtesy of Favorite Goods, Los Angeles.

Orion Martin, Skirt (American Don) (2015). Oil on canvas, 21 x 17 inches. Image courtesy of the artist and Favorite Goods.

Orion Martin, Skirt (American Don) (2015). Oil on canvas, 21 x 17 inches. Image courtesy of the artist and Favorite Goods.

Originally Published in Carla Issue 2